Lauren's amazing ink:
"Stuff is eaten by dogs, broken by family and friends, sanded down by the wind, frozen by the mountains, lost by the prairie, burnt off by the sun, washed away by the rain. So you are left with dogs, family, friends, sun, rain, wind, prairie and mountains. What more do you want?" Federico Calboli
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Wednesday, January 24, 2018
Thursday, August 31, 2017
Goshawk
This will be one illo by Eldridge Hardie from a new collection of the works of North Dakota poet and hunter Tim Murphy. He and El gave it to me! I have been a fan of Eldridge's work for at least as long as the old Gray's that we both worked at existed. I brought a copy of the late Datus Proper's Pheasants of the Mind, among my favorites of both their works, and was pleased to hear, in our too- short Denver visit, that he had also hunted with Datus. They met in Arizona for quail; Datus and I used to out of Bozeman for quick day trips after Gray partridge...
Monday, March 06, 2017
Sunday, March 05, 2017
Freud's Hounds & People
A peceptive Jenny French noticed that Stefan's pic of me and the girls ersembled Clement Freud's late dog and person pics.She was right:
Thursday, November 03, 2016
Pepe's Art
My old pigeon partner Jose Morales y Serranno, who met his wife , an Albuquerqe native of Italian descent, returned to Sevilla after getting his PhD in English- speaking writers of the Spanish Civil War. Despite occasional political disagreements- like Pepe's fellow traveler on the left Stephen Spender, I will never think of Roy Campbell as other than a great lyric and talented satirical poet, despite his being on the "wrong" side--I miss him. He taught me everything I know about Spanish pouters-- and who else would depict a beautiful woman with my favorite breed, the English Carrier, both handsome and grotesque?
(Something minor interesting here too.The bird is depicted with a RED eye cere, like a Barb or Catalonian tumbler or the Badgdads the fanatics are killing in Syria, or even the Scanderoons ("Iskadruns"- birds of Alexander the Great), of Nuremberg do. But the English ones no longer have red ceres. I wonder if those of southern Spain, closer to Africa and their roots, do? I rather prefer the red...
Catalonian of the "Strawberry Eye" variant- a very attractive variety never imported to the US and supposedly very rare.(From Levi)
A Spanish Barb hen-I used to have these
"Iskandrun", Alexander's (German!) bird, in profile...
The modern endangered Syrian breeds, which resemble both their English and German relatives.I like these, too, and I bet they can FLY.

Jat Dusard's portrait of me with Scanderoon and pouters in Bozeman. Can't FIND the damn thing in this house's infernal clutter, though his portrait of me & dogs hangs in the bedroom...
(Something minor interesting here too.The bird is depicted with a RED eye cere, like a Barb or Catalonian tumbler or the Badgdads the fanatics are killing in Syria, or even the Scanderoons ("Iskadruns"- birds of Alexander the Great), of Nuremberg do. But the English ones no longer have red ceres. I wonder if those of southern Spain, closer to Africa and their roots, do? I rather prefer the red...
Catalonian of the "Strawberry Eye" variant- a very attractive variety never imported to the US and supposedly very rare.(From Levi)
A Spanish Barb hen-I used to have these
"Iskandrun", Alexander's (German!) bird, in profile...
The modern endangered Syrian breeds, which resemble both their English and German relatives.I like these, too, and I bet they can FLY.

Wednesday, November 02, 2016
Art Show and Catalogue
"Our" art show opened in Memphis this week and by all accounts is a total success. How could it not be with walls like these?
And especially paintings like this:
!Here is the book, with my contribution. Buy it, you won't regret it!
Thanks especially to the perfect editor and curator, Kevin Sharp; to Toby Jurovics for suggesting it to me; and for Jim Moore for providing context and more...
And especially paintings like this:
!Here is the book, with my contribution. Buy it, you won't regret it!
Thanks especially to the perfect editor and curator, Kevin Sharp; to Toby Jurovics for suggesting it to me; and for Jim Moore for providing context and more...
Friday, October 14, 2016
Unruh
Jack Unruh was a fine artist who did the best, or at least the most interesting, illustrations for many magazines , especially ones of the Time- Life Group, for over 50 years. One of his last regular assignments was doing the pic for the humor column by Bill Heavey at the end of Field and Stream. Bill wrote a good remembrance of him here.
He could be surreal...
He also could see beauty in unlikely creatures. Sure, a Sandgrouse is pretty; but how many people would or could do such a delicate drawing of a Lappet- Faced Vulture? (I am pretty sure that is what it is, not a griffon!)
He could be surreal...
He also could see beauty in unlikely creatures. Sure, a Sandgrouse is pretty; but how many people would or could do such a delicate drawing of a Lappet- Faced Vulture? (I am pretty sure that is what it is, not a griffon!)
Sunday, July 24, 2016
Tanuma Photos
Friday, April 08, 2016
A few Images
Some images to hold you--we are heading up to to Santa Fe to see Pluvialis! (Perhaps better known today in our crowd as RockStar Helen, to her embarrassment..). We'll be back Sunday. Reid may report on their dinner in Denver later... he and Connie, Anne "Anyushka" Price and Chas and Mary attending...
And the countdown begins--this is post #3995...
Parkers: the exquisite Damascus is a del Grego restoration, unfortunately with its firing pin noses filed down on the hammers, as in Larry del Grego's day, most Americans thought that Damsacus was unsafe. It is probably best not to know how many gorgeous guns bit the dust in the fifties and sixties (or as one fool in an early Gun Digest suggested, were THROWN INTO PONDS)...
Both guns are equipped with 30" barrels, heavier on the sleeved gun, which is also on a heavier frame, one used for 10 gauges. It seems to have been rebuilt as a Pigeon gun; its tight pistol grip and amazinglyeven patterns at 45 measured yards, even with a light game load of an ounce of 7 1/2s, suggests this.The Damascus gun is only a little lighter -- both are under 8 pounds -- but they have very different sight pictures. The sleeved gun was made in 1890, and I believe the Damascus was made in 1905.
The sleeved gun also has the most amazing sight bead I've ever seen with parallel gold and ivory bands.
John checkers the Darne "Nameless":
Rosanne's drawing of the lovely but annoying (she refuses to learn to tolerate hats, a real fault in a desert town) Esme.
And the countdown begins--this is post #3995...
Parkers: the exquisite Damascus is a del Grego restoration, unfortunately with its firing pin noses filed down on the hammers, as in Larry del Grego's day, most Americans thought that Damsacus was unsafe. It is probably best not to know how many gorgeous guns bit the dust in the fifties and sixties (or as one fool in an early Gun Digest suggested, were THROWN INTO PONDS)...
Both guns are equipped with 30" barrels, heavier on the sleeved gun, which is also on a heavier frame, one used for 10 gauges. It seems to have been rebuilt as a Pigeon gun; its tight pistol grip and amazinglyeven patterns at 45 measured yards, even with a light game load of an ounce of 7 1/2s, suggests this.The Damascus gun is only a little lighter -- both are under 8 pounds -- but they have very different sight pictures. The sleeved gun was made in 1890, and I believe the Damascus was made in 1905.
The sleeved gun also has the most amazing sight bead I've ever seen with parallel gold and ivory bands.
Rosanne's drawing of the lovely but annoying (she refuses to learn to tolerate hats, a real fault in a desert town) Esme.
Saturday, March 12, 2016
Found Book
Once or twice, like any person who buys and occasionally sells books, I have found a book on my shelves that I did not know I had.
But only once have I found a really valuable one that I had no recollection of buying, and still don't. It happened about two "book culls" past, when I literally had books stacked two deep on some shelves. In the densely- packed Asia section, I saw the spine of this book:
It is Charles Vaurie's Birds of the Himalayas. Now this is not an unnatural book for us to have: I have some other good regional ornithologies, and the Himalayas were Libby's stomping grounds in her youthful Guiding days. She even had that slender pb bird guide published in Nepal in the seventies that many trekkers had back then-- I think I threw it out in a fit of critical thinking, because the illos were so dreadful, every damn species sort of blue and black and crested and about the same size. Now I'd be likely to keep it, just for that reason.
But Vaurie was something else. First, it was a beautiful book, with plates of various Himalayan pheasants and such, including my favorite non- raptorial bird, the Satyr tragopan, But the book is better than that. Although it was published in 1972 it has the air and feel of something like Beebe's Pheasants,Their Lives and Homes, published in 1926 in two volumes, or one of Meinerzhagen's expensive productions. But it is not an arty or coffee table book , like some "collectors'" editions published today; it is a sort of Golden Age standard ornithology.
My interest grew as I looked through it. A page illustrating the mythical Garuda bird was marked by a hand- painted card of the creature, a much better illo...
And then I see the bookplate, of the former owner, and the letter, and I am even more amazed, for I know who both of them are. Despite their aristocratic European names, they, like Will Beebe and Roy Chapman Andrews, worked for the American Museum of Natural History in New York, the institution that has done more to shape my view of the world than any other, from when I was reading Beebe and Andrews at the Ames Free Library in Easton or at Jeanne d'Arc Academy in Milton (which happened also to be the childhood mansion of another old influence and in that case a friend as well, Frances Hamerstrom, who was Aldo Leopld's only female student and who started her relationship with me by damning me for writing Rage for Falcons , fearing my "tough Sportswriter's style"- HER words, in the Auk no less, would end up with falcons being commercially exploited, and ended up drinking brandy with me and the cowboys in the Golden Spur, in a near- ghost town where, in 1914, her mentor gave a talk on conservation to a crowd bigger than the entire population of the town today.
That thread will wind through collecting specimens and the Peregrine Fund and widowhood the Congo pygmies and even the David Letterman show, but it is a western one mostly and not the one here, which leads to Asia and Father Anderson Bakewell and the Explorers Club; to Libby and three trips to Mongolia and Kazakhstan and three books so far; and who knows what else to come?
None of this would have happened without the AMNH, and Libby knows this so I assumed she, the seasoned Himlayan guide, had bought it for me.
But she had never seen it either...
But only once have I found a really valuable one that I had no recollection of buying, and still don't. It happened about two "book culls" past, when I literally had books stacked two deep on some shelves. In the densely- packed Asia section, I saw the spine of this book:
It is Charles Vaurie's Birds of the Himalayas. Now this is not an unnatural book for us to have: I have some other good regional ornithologies, and the Himalayas were Libby's stomping grounds in her youthful Guiding days. She even had that slender pb bird guide published in Nepal in the seventies that many trekkers had back then-- I think I threw it out in a fit of critical thinking, because the illos were so dreadful, every damn species sort of blue and black and crested and about the same size. Now I'd be likely to keep it, just for that reason.
But Vaurie was something else. First, it was a beautiful book, with plates of various Himalayan pheasants and such, including my favorite non- raptorial bird, the Satyr tragopan, But the book is better than that. Although it was published in 1972 it has the air and feel of something like Beebe's Pheasants,Their Lives and Homes, published in 1926 in two volumes, or one of Meinerzhagen's expensive productions. But it is not an arty or coffee table book , like some "collectors'" editions published today; it is a sort of Golden Age standard ornithology.
My interest grew as I looked through it. A page illustrating the mythical Garuda bird was marked by a hand- painted card of the creature, a much better illo...
And then I see the bookplate, of the former owner, and the letter, and I am even more amazed, for I know who both of them are. Despite their aristocratic European names, they, like Will Beebe and Roy Chapman Andrews, worked for the American Museum of Natural History in New York, the institution that has done more to shape my view of the world than any other, from when I was reading Beebe and Andrews at the Ames Free Library in Easton or at Jeanne d'Arc Academy in Milton (which happened also to be the childhood mansion of another old influence and in that case a friend as well, Frances Hamerstrom, who was Aldo Leopld's only female student and who started her relationship with me by damning me for writing Rage for Falcons , fearing my "tough Sportswriter's style"- HER words, in the Auk no less, would end up with falcons being commercially exploited, and ended up drinking brandy with me and the cowboys in the Golden Spur, in a near- ghost town where, in 1914, her mentor gave a talk on conservation to a crowd bigger than the entire population of the town today.
That thread will wind through collecting specimens and the Peregrine Fund and widowhood the Congo pygmies and even the David Letterman show, but it is a western one mostly and not the one here, which leads to Asia and Father Anderson Bakewell and the Explorers Club; to Libby and three trips to Mongolia and Kazakhstan and three books so far; and who knows what else to come?
None of this would have happened without the AMNH, and Libby knows this so I assumed she, the seasoned Himlayan guide, had bought it for me.
But she had never seen it either...
Thursday, March 10, 2016
Astonishing Paintings
From Jim Moore: astonishing paintings of Passenger pigeons in a strange thirties style, maybe even cooler than Ford's, below..
More tomorrow.
More tomorrow.
Tuesday, December 29, 2015
C J's latest project
C J Hadley came over as a young girl from Birmingham in England, and worked at Car and Driver magazine in its legendary years, when the late David E Davis ran a strong stable of writers and illustrators. It may be advancing age, but I think magazines were more colorful then, perhaps because they were a more important part of the market. These were also the days of the Pat Ryan Sports Illustrated, training ground for many of the writers that helped form me, howing me how broad a subject a sporting essay could be.
CJ met Tom Quinn there, when Tom did this legendary cover:
Both went on to other things, Quinn to become a wildlife painter, perhaps our best; CJ, however improbably, ended up in Nevada runing the outspoken rancher's voice, Range magazine, where the English girl has been nominated for Cowgirl Hall of Fame by Jameson Parker, Joan Chevalier, and John L Moore, two of whom make frequent appearances here.
I have one original Quinn, a watercolor sketch of a roadkill Bee eater that I snatched out of the fire kindling in his studio (really), any amount of prints, and have been privileged to write the text to a collection of his work, The Art of Thomas Quinn.
Tom's firestarter:
Quinn and me, with his wife Jeri's oil of a horse in the background (plus wolves by his old friend Vadim Gorbatov, painted by Vadim before he visited NM for a Korean edition of Seton's Lobo, the story of a cattle- killing New Mexico wolf, with our aid for background material.
CJ, as Tom says, is not always controversial. She has just released what I believe is her second, broadest in scope, most ambitious and best collection of western art and poetry (in this and other images forgive some rather odd croppings; I photo'd it on my coffee table!)
You say you don't like cowboy poetry and art? Well, there are plenty of those represented: Buckeye Blake, Waddie Mitchell, Wallace McRae, as well as traditional western writers like Will James. But so is the far less traditional cowboy Paul Zarzyski (he is a Democrat!); Ted Kooser; Linda Hasselstrom, and many many more. In artists Tom is well represented, but also the old master Maynard Dixon, Charlie Russell, and any number of writers and artists who may be new to you. Here is a broad if non- random selection:. A always, right or double click and you can blow it up big enough to read easily.
Good job, CJ! It is $43, available at 1 800 RANGE-4-U.
Here is CJ with Montana novelist and friend of Q John L Moore.
UPDATE : here is a pic she just sent of her with her dogs Belle Star, Strider, and Cache Drogan.
CJ met Tom Quinn there, when Tom did this legendary cover:
Both went on to other things, Quinn to become a wildlife painter, perhaps our best; CJ, however improbably, ended up in Nevada runing the outspoken rancher's voice, Range magazine, where the English girl has been nominated for Cowgirl Hall of Fame by Jameson Parker, Joan Chevalier, and John L Moore, two of whom make frequent appearances here.
I have one original Quinn, a watercolor sketch of a roadkill Bee eater that I snatched out of the fire kindling in his studio (really), any amount of prints, and have been privileged to write the text to a collection of his work, The Art of Thomas Quinn.
Tom's firestarter:
Quinn and me, with his wife Jeri's oil of a horse in the background (plus wolves by his old friend Vadim Gorbatov, painted by Vadim before he visited NM for a Korean edition of Seton's Lobo, the story of a cattle- killing New Mexico wolf, with our aid for background material.
CJ, as Tom says, is not always controversial. She has just released what I believe is her second, broadest in scope, most ambitious and best collection of western art and poetry (in this and other images forgive some rather odd croppings; I photo'd it on my coffee table!)
You say you don't like cowboy poetry and art? Well, there are plenty of those represented: Buckeye Blake, Waddie Mitchell, Wallace McRae, as well as traditional western writers like Will James. But so is the far less traditional cowboy Paul Zarzyski (he is a Democrat!); Ted Kooser; Linda Hasselstrom, and many many more. In artists Tom is well represented, but also the old master Maynard Dixon, Charlie Russell, and any number of writers and artists who may be new to you. Here is a broad if non- random selection:. A always, right or double click and you can blow it up big enough to read easily.
Good job, CJ! It is $43, available at 1 800 RANGE-4-U.
Here is CJ with Montana novelist and friend of Q John L Moore.
UPDATE : here is a pic she just sent of her with her dogs Belle Star, Strider, and Cache Drogan.
Subscribe to:
Posts (Atom)





































